Gao Xingjian, the Nobel Prize in Literature 2000, who got the glory was the first chinese writer. He was born in China, today is a French citizen. His works created a number of inimitable unworldliness, no matter which were the proses, novels, dramas, paints in ink, aesthetic essays, etc. One of his works was Shanhaijingzhuan, it was an epic about modern drama, obtained Shanhaijing from ancient Chinese myth. This drama not only attempted to defect from traditional ideology, but also returned to the original myth shape. Gao Xingjian said,“It was an attempt at making modern drama form from Chinese traditional plays.”The structure of this drama was changeful and unified, the graphic design of players were almost to overturn traditional image, so some stage critics generalized “the absurd drama.” Such as that unsure change of the course which was from Chinese traditional to modern drama , the changeful and unified structure, a great diversity and overturn traditional image of the graphic design of players, and the style of absurdity, that all connected with Fuzzy Aesthetic. All through the ages, none explored this subject of Shanhaijingzhuan, therefore I broke new ground and tried to take Fuzzy Aesthetic as the principal thing to discuss Shanhaijingzhuan. Expectantly the way could broaden the other new views about this drama.