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    Please use this identifier to cite or link to this item: http://ir.cnu.edu.tw/handle/310902800/1228

    標題: 篆刻藝術的形式構成研究
    作者: 葉淑麗
    貢獻者: 人文社會教育中心
    關鍵字: 篆刻藝術
    the art of Seal carving
    form,Seal Style(Da and Xiao Zhuan)
    The characteristic of 2-dimensional
    knife methods
    日期: 2003
    上傳時間: 2008-06-30 10:33:20 (UTC+8)
    出版者: 台南縣:嘉南藥理科技大學人文社會教育中心
    摘要: 篆刻一藝為我國特有的傳統藝術,其特色則兼具實用性與藝術性。自商周時期以迄現今,印章仍為普遍使用的憑信工具。另一方面,宋元時期因為文人畫的興起,印章亦成為書畫落款不可或缺的附屬品;到了明清之際,名家輩出,於印石方寸之間求表現,篆刻遂成為獨特的一門藝術,得以與書法和繪畫鼎足分立。
    The Seal carving is one of Chinese traditional arts. It’s a style of practicability and artistry. Signet became a tool of voucher from Shang and Zhou Dynasties to the present. On the other hand, Signet cannot be lacking to stamp on the painting. Especially, the seal carving kept abreast with calligraphy and painting in Ming and Ching Dynasties duo to artists’ swarming by exhibiting their skill of seal carving inside.
    Speaking of the appreciation of the art of Seal carving, this has always been the case treating all aspects of the methods of seal style(penmanship), methodical ness and knife. But this essay tries to probe into form’s constructing of the beauty of seal carving by two ways. First I research the characteristics of particular space from the appearance of traces. Further I make a study of the process of form’s constructing to pass through two phases –calligraphy and seal carving. We call this way the characteristic of 2-dimensional. The process of creation of calligraphy and seal carving separate each other, but need to unite together. That's a different appears in the art of seal carving than in others
    關聯: 計畫編號:CNLA9205
    Appears in Collections:[通識教育中心] 校內計畫

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